First, let's make forms. From a simple line bouncing within a bounding box, to an extruded form, to cropped. The identities of each iteration are, as of now, scale-less sculptural representations of architectural form.
Now let's choose one form, Volume Three. It is now scaled to be the size of a building. Loose program is integrated into undulating floor plates.
In section the form must be occupied, but to what extent is there movement from top to bottom? Studying how the form reacts to sheer floor plates begins to be articulated through these sections.
Let's not forget the outside perspective. The obnoxious green radiates. Where are the spaces still occupiable, and when do they become other exterior space?
